User manual KORG KDM2

[. . . ] If there is no input for a given period of time, “TAP” disappears and tap tempo input ends. Nomenclature et fonctions Haut-parleur Interrupteur Tap Interrupteur Dpart/Arrêt (START/STOP) LCD (Affichage CL) Cadran de volume Sound Out Mode Press the SOUND switch to enter the sound out mode. Specifying the pitch BEAT/NOTE BEAT/NOTE switch switch Precautions Location Using the unit in the following locations can result in a malfunction. € In direct sunlight • Locations of extreme temperature or humidity • Excessively dusty or dirty locations • Locations of excessive vibration • Close to magnetic fields Press the BEAT/NOTE the pitch (note name). [. . . ] When the KDM-2 is in the sound out mode, it can also be switched to the metronome mode by pressing the SOUND switch. In this mode, you can specify the tempo, beat, and metronome sound, and perform tap tempo input, regardless of whether the metronome is working or stopped. ) This equipment has been tested and found to comply with the limits for a Class B digital device, pursuant to Part 15 of the FCC Rules. These limits are designed to provide reasonable protection against harmful interference in a residential installation. This equipment generates, uses, and can radiate radio frequency energy and, if not installed and used in accordance with the instructions, may cause harmful interference to radio communications. However, there is no guarantee that interference will not occur in a particular installation. If this equipment does cause harmful interference to radio or television reception, which can be determined by turning the equipment off and on, the user is encouraged to try to correct the interference by one or more of the following measures: • Reorient or relocate the receiving antenna. € Connect the equipment into an outlet on a circuit different from that to which the receiver is connected. Unauthorized changes or modification to this system can void the user’s authority to operate this equipment. The faster the knob is rotated, the quicker the setting value changes. One is used to specify the tempo in 1-step resolutions in the range from 30 to 252 (FULL step). The other is used to specify the tempo in 49-step resolutions like a mechanical metronome (PENDULUM step). The tempo setting can be changed with the /±1 switch, and in the PENDULUM step, “ ” is displayed. In the PENDULUM step 30 32 34 · 232 240 252 In the FULL step 30 31 32 · 120 hours (120 tempo, 4 beats, PULSE, maximum volume, using standard alkaline batteries) External dimensions : 106. (including batteries) Accessories : Operation Manual, 4 AAA alkaline batteries to check operation * Tempo, beat, reference pitch, calibration, metronome sound type, and tempo resolution settings are maintained even after the power is turned off. However, all the settings are initialized when the batteries are replaced, as follows: Default values : BEAT=4, TEMPO=120, NOTE=C, CALIB=440Hz, METRONOME SOUND=PULSE, /±1=PENDULUM * The specifications and external appearance of this product are subject to change without notice for improvement. ) Poids :175 g (sans les piles), 210 g (y compris les piles) Accessoires :Mode d'ermploi, 4 piles alcalines de type AAA pour contrôler le fonctionnement * Les réglages de tempo, mesure, hauteur de son de référence, calibrage, type de son de métronome et de résolution de tempo sont conservés même après avoir mis l'appareil hors de tension. 250 251 252 Installing the Batteries Slide the battery cover located on the rear side of the KDM-2 in the direction of the arrow and remove the cover. [. . . ] Please also retain your receipt as proof of purchase otherwise your product may be disqualified from the manufacturer’s or distributor’s warranty. Specifying the metronome sound Press the PULSE/PCM switch to specify the metronome sound. Select the pulse sound or desired PCM sound according to the instrument that is used. Performing tap tempo input (Specifies the tempo according to the tune) Press the TAP switch several times in accordance with the tempo of the tune to be played. [. . . ]