User manual FOSTEX VF-16

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Manual abstract: user guide FOSTEX VF-16

Detailed instructions for use are in the User's Guide.

[. . . ] 8288 451 100 Owner's Manual Digital Multitracker INPUT MON OUT PHONES 1/9/A 2/10/B 3/11/C 4/12/D 5/13/E 6/14/F BAL 7/15/G UNBAL INSERT BAL 8/16/H UNBAL INSERT L R TRIM MON OUT PHONES LINE MIC LINE MIC LINE MIC LINE MIC LINE MIC LINE MIC LINE MIC LINE MIC 0 10 0 10 DIGITAL MULTITRACKER PEAK PEAK PEAK PEAK PEAK PEAK PEAK PEAK 1/9/A CH STATUS 2/10/B ORANGE 3/11/C INPUT 4/12/D RED REC 5/13/E 6/14/F PLAY 7/15/G OFF 8/16/H MUTE SCENE RECALL STORE GREEN CH STATUS/CH SEL OPTICAL DR C R L IETC MAP CLEAR EFF EDIT EFF1 EFF2 ACCESS +6 +6 +6 +6 +6 +6 +6 +6 MUTE MUTE PHANTOM 0 0 0 0 0 0 0 0 EFF1/EFF2 CH PARAM EDIT EQ/COMP HI-G/F/Q PRE/POST -10 -10 -10 -10 -10 -10 -10 -10 AUX1/AUX2 COMP INPUT SEL MID-G/F/Q REC ASSIGN BUSS DIRECT SOURCE REC TRK REC TRK DISP SEL PGM SEL SETUP -20 -30 -40 -20 -30 -40 -20 -30 -40 -20 -30 -40 -20 -30 -40 -20 -30 -40 -20 -30 -40 -20 -30 -40 PAN LO-G 1 FADER CH VIEW HOLD/ STORE EDIT 2 3 MARK UNDO/ REDO VARI PITCH LOCATE 4 5 6 7 SCENE SEQ. SCRUB PRE/POST START AUTO RTN AUTO PUNCH IN OUT TIME BASE END IN CLIPBOARD ALIGN SEL OUT A RTN A PLAY - - - - - - - - 1 2 3 4 5 6 7 8 TRACK CH STATUS/CH SEL P . EDIT EVT MEM RECORD STOP PLAY REWIND F FWD AUTO PUNCH +6 +6 +6 +6 +6 +6 +6 +6 +6 CLIPBOARD PLAY L O C AT E A B S 0 LOCATE REC END PREV NEXT 0 0 0 0 0 0 0 0 0 JOG SHUTTLE FADER ADJUST -10 -10 -10 -10 -10 -10 -10 -10 -10 LEVEL ADJUST EXIT/NO EJECT -20 -30 -40 -20 -30 -40 -20 -30 -40 -20 -30 -40 -20 -30 -40 -20 -30 -40 -20 -30 -40 -20 -30 -40 -20 -30 -40 ENTER/YES - - - - - - - - - SHIFT 9 A 10 B 11 C 12 D 13 E 14 F 15 G 16 H TRACK INPUT MASTER CAUTION RISK OF ELECTRIC SHOCK DO NOT OPEN CAUTION: TO PREVENT ELECTRIC SHOCK, MATCH WIDE BLADE OF PLUG TO WIDE SLOT, FULLY INSERT. ATTENTION: CAUTION: TO REDUCE THE RISK OF ELECTRIC SHOCK, DO NOT REMOVE COVER (OR BACK). REFER SERVICING TO QUALIFIED SERVICE PERSONNEL. POUR ÉVITER LES CHOCS ÉLECTRIQUES, INTRODUIRE LA LAME LA PLUS LARGE DE LA FICHE DANS LA BORNE CORRE-SPONDANTE DE LA PRISE ET POUSSER JUSQU' AU FOND. The lightning flash with arrowhead symbol, within an equilateral triangle, is intended to alert the user to the presence of uninsulated "dangerous voltage" within the product's enclosure that may be of sufficient magnitude to constitute a risk of electric shock to persons. The exclamation point within an equilateral triangle is intended to alert the user to the presence of important operating and maintenance (servicing) instructions in the literature accompanying the appliance. "WARNING" "TO REDUCE THE RISK OF FIRE OR ELECTRIC SHOCK, DO NOT EXPOSE THIS APPLIANCE TO RAIN OR MOISTURE. " SAFETY INSTRUCTIONS 1. [. . . ] * The cueing speed varies from 1x, 2x, 4x, 8x, 16x, 32x and 64x according to the degree (angle) in which the [JOG] dial is turned. * Shuttle cueing continues as long as the [SHIFT] key is depressed, even when the [JOG] dial isn't used. Digital scrubbing with the [SCRUB] key To enter the Digital Scrub Mode, press the [SCRUB] key while the recorder is in the STOP state to cue at 01x speed without any change in musical key. This feature is effective when it is necessary to conduct a pinpoint search of the beginning of a song or a point (location) between songs. Press the [SCRUB] key while the recorder is in the STOP state. The scrub mode is activated and the following display appears. 3. Lift finger from [SHIFT] key to return to the original play speed (1x). <Remember!> Once the data is rewound to the beginning of a program (ABS 0), playback starts from the beginning of the program, regardless of pressing the [SHIFT] key. When reaching the end of a program (ABS:23H 59M 59S), the program stops and the [PLAY] key flashes. 2. Press the [CH STATUS/CH SEL] key of the track to scrub. The level envelop of the track selected appears. Current location 58 Variable Pitch Control This section describes the Variable Pitch Control feature to play or record programs at variable recorder speeds. Note that the key changes when changing the variable pitch speed. INPUT MON OUT PHONES 1/9/A 2/10/B 3/11/C 4/12/D 5/13/E 6/14/F BAL 7/15/G UNBAL INSERT BAL 8/16/H UNBAL INSERT L R TRIM MON OUT PHONES LINE MIC LINE MIC LINE MIC LINE MIC LINE MIC LINE MIC LINE MIC LINE MIC 0 10 0 10 DIGITAL MULTITRACKER PEAK PEAK PEAK PEAK PEAK PEAK PEAK PEAK 1/9/A CH STATUS 2/10/B ORANGE 3/11/C INPUT 4/12/D RED REC 5/13/E 6/14/F PLAY 7/15/G OFF 8/16/H MUTE SCENE RECALL STORE GREEN CH STATUS/CH SEL OPTICAL DR C R L IETC MAP CLEAR EFF EDIT EFF1 EFF2 ACCESS +6 +6 +6 +6 +6 +6 +6 +6 MUTE MUTE PHANTOM 0 0 0 0 0 0 0 0 EFF1/EFF2 CH PARAM EDIT EQ/COMP HI-G/F/Q PRE/POST -10 -10 -10 -10 -10 -10 -10 -10 AUX1/AUX2 COMP INPUT SEL MID-G/F/Q REC ASSIGN BUSS DIRECT SOURCE REC TRK REC TRK DISP SEL PGM SEL SETUP -20 -30 -40 -20 -30 -40 -20 -30 -40 -20 -30 -40 -20 -30 -40 -20 -30 -40 -20 -30 -40 -20 -30 -40 PAN LO-G 1 FADER CH VIEW HOLD/ STORE EDIT 2 3 MARK UNDO/ REDO VARI PITCH LOCATE 4 5 6 7 SCENE SEQ. SCRUB PRE/POST START AUTO RTN AUTO PUNCH IN OUT TIME BASE END IN CLIPBOARD ALIGN SEL OUT A RTN A PLAY - - - - - - - - 1 2 3 4 5 6 7 8 TRACK CH STATUS/CH SEL P . EDIT EVT MEM 1 RECORD STOP PLAY REWIND F FWD AUTO PUNCH +6 +6 +6 +6 +6 +6 +6 +6 +6 CLIPBOARD PLAY L O C AT E A B S 0 LOCATE REC END PREV NEXT 0 0 0 0 0 0 0 0 0 JOG SHUTTLE FADER ADJUST -10 -10 -10 -10 -10 -10 -10 -10 -10 LEVEL ADJUST EXIT/NO EJECT -20 -30 -40 -20 -30 -40 -20 -30 -40 -20 -30 -40 -20 -30 -40 -20 -30 -40 -20 -30 -40 -20 -30 -40 -20 -30 -40 ENTER/YES 2 - - - - - - - - - SHIFT 9 A 10 B 11 C 12 D 13 E 14 F 15 G 16 H TRACK INPUT MASTER 1 3 Variable Pitch Control ON/OFF * Press the [VARI PITCH] key. The key lights up GREEN. This means the feature is ON. Variable pitch control ON/OFF alternates between ON and OFF each time the [VARI PITCH] key is pressed in this state. " " or " " lights up. * Press the [VARI PITCH] key once again. The key lights OFF. This means that the feature is OFF. <Precaution> The variable pitch control can be turned ON/OFF when the recorder is in the STOP/PLAY modes. Variable pitch control is not available when the recorder is recording, even though the key is pressed. 2. Press the [EXIT/NO] key to return to the normal display. Setting the Speed Note that the speed can be set only in the recorder STOP or PLAY mode. By playing back a program with the variable pitch control ON it is possible to adjust the speech while monitoring the changes. Press the [VARI PITCH/P. EDIT] key while the [SHIFT] key is depressed. The current setting appears on the LCD and "%" flashes. This means that the recorder is ready to edit with the variable pitch control feature. <Precaution> * You can turn ON the variable pitch function by pressing the [VARI PITCH] key, even when the current pitch data is 0. 0% (state where there is no change in speed). However, this does not mean that there is any change in speed in this state. * The variable pitch is automatically turned OFF in the following cases: 1. When " " and " " lights up on the display while the [Digital Input Setting] in the SETUP mode is set to "S/P DIF" or "adat". flashing 59 Auto Function The VF-16 is equipped with 3 Auto Functions. One is the "Auto Play", which automatically starts playing a track after locating it. Another is the "Auto Return", which locates a predetermined time during playback. [. . . ] Time count will also be incorrect. Having trouble Editing? * A warning message appears although it was only execution of copy-clip (or move-clip) ? Correctly register the CLIPBOARD IN and OUT points The relation between CLIPBOARD IN point and OUT point is "IN point<OUT point". If it is registered in reverse relationship, copy-clip (or move-clip) cannot be executed. * When copy paste (or move paste) is executed, the sound section located before head of the bar is missing ?Use the ALIGN SEL function If the "ALIGN SEL" function is used at executing copy paste (or move paste), the sound section located in front of the bar head can be included at pasting. Refer to page 65 for details. 115 MIDI Implementation Chart (Digital Multitracker) Model VF-16 Function. . . . . . . . . . . . . . . . . . . . [. . . ]

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