User manual FOSTEX 380

[. . . ] The 16-channel digital mixer features analog-style operation, 3-band EQ and 3 AUX sends and 1 EFF send plus built-in master FX and recorder transport controls. The recorder I/O box meanwhile, houses 16 balanced mic / line inputs, other I/O and a `better than CD-quality' multitrack recorder offering up to 16 hours of uncompressed 16-track multitrack recording/playback at 44. 1/48kHz plus simultaneous stereo mix recording. [. . . ] The recorder I/O box meanwhile, houses 16 balanced mic / line inputs, other I/O and a `better than CD-quality' multitrack recorder offering up to 16 hours of uncompressed 16-track multitrack recording/playback at 44. 1/48kHz plus simultaneous stereo mix recording. These two components can be rackmounted, are linked together via a standard single CAT-5 cable, (no bulky multicore here), and can be placed up to 50m apart, allowing for easy portability, easy installation and enormous flexibility in operation. A totally new concept in livesound mixing and recording. LR16 Main Features · Recorder I/O and Mixer components can be flexibly separated up to 50m apart · Single CAT-5 cable - no heavy and expensive multicore snake required · Intuitive analog-like mixer with 16 input, 4 group bus and master faders · Built-in 80GB HD for approx. 16 hours of 16-track uncompressed digital recording at 16bit/44. 1kHz or 9 hours at superior digital quality of 24bit/48kHz* · Multitrack (`dry' sound after TRIM) and Stereo Mix (`wet' sound after Stereo Faders) can be recorded simultaneously creating 16 x mono WAV files plus 1 x Stereo WAV file · Memory Play allows you to Instant Start Playback via 10 keys. · FAT 32 formatted HD can be mounted on PC or Mac via USB · Save recorded data to USB `thumb drive' for easy transfer to PC or Mac *Recording times per Project may vary depending on number of recording tracks, HD remaining capacity and 4GB file size limitation. INTUITIVE `ANALOG-STYLE' DIGITAL MIXING Mixing with an LR16 is intuitive and simple as it is a real `knobs and buttons' mixer. Each of the 16 channels features a balanced mic and line inputs (XLR/TRS Combo), phantom power, digitally controlled TRIM and analog LIMITER, 3-band EQ with swept mid frequency, no less than 3 AUX sends, digital effects and level. And as all these controls are accessed by physical knobs and faders just like an analog mixer, using an 380 does not require a steep learning curve. No Expensive Bulky Multicore Snake - Rack Mount or Free Standing Just like the LR16, connecting the Mixer and I/O components is a single `off-the-shelf' CAT-5 cable which can be up to 50m (164 ft) in length. In addition, the two 380 components can used free-standing, bolted together or mounted in standard 19-racks with the included fitting kits. This makes the 380 great for HOW, clubs, schools and coffee houses where a quick setup and flexible installation are paramount. 482 (W) x 136 (H) x 570 (D) mm LR 16 Approx. [. . . ] No Expensive Bulky Multicore Snake - Rack Mount or Free Standing Just like the LR16, connecting the Mixer and I/O components is a single `off-the-shelf' CAT-5 cable which can be up to 50m (164 ft) in length. In addition, the two 380 components can used free-standing, bolted together or mounted in standard 19-racks with the included fitting kits. [. . . ]