User manual FISHMAN AFX REVERB

[. . . ] AFX · USER GUIDE ACOUSTIC REVERB PEDAL clip | batt off max warm bright short long l ev el tone d ec a y ti me studio room plate chamber canyon cathedral concert stage REVERB ACOUS T I C E F F E CT S 2 Quick start Power ­ Install a 9V alkaline or lithium battery (not included). Bypass ­ Stomp the footswitch to bypass the effect. 3 Using other effects When using multiple pedals, we recommend connecting them in this order, however feel free to experiment. clip | batt c lip | bat t clip | batt off max warm bright short long off max warm bright slow fast off max off max min max level tone decay time lev el t one speed lev el r e p e ats d e l ay ti me studio room plate chamber canyon cathedral concert stage chorus 1 chorus 2 chorus 3 stereo tremolo rotary phaser flanger narrow tremolo short medium long short medium long pong pong classic modern REVERB ACOUSTIC E F F E CT S CHORUS ACOUSTIC EFFECTS ACOUSTIC DELAY EFFECTS 4 Right side panel Input Plug in with a standard guitar cable to either the left or right input and the pedal will power on. [. . . ] Reverb Spillover Normally, when the footswitch is pressed to bypass the effect, the analog audio path is selected and the reverb is cut off abruptly. Instead, you can choose to allow the reverb tails to ring out when in bypass by selecting reverb spillover mode. To do this, power up the the pedal while holding the footswitch until the footswitch light flashes quickly. 8 Controls Level The level control mixes the selected effect in parallel, adding as much or as little reverb as you want in addition to your direct sound. This means that your tone is preserved while the effect is blended into it. Tone Use this to add brightness or warmth to the sound of the effect without altering your direct sound. Decay Time Adjusts the overall length of the reverb "tail. " 9 Controls (continued) Effect Select Knob AFX · Reverb offers eight popular reverbs, chosen and voiced especially for acoustic instruments. Studio The smallest space in the set, this effect mimcs the sounds of a tightly tuned recording studio space. Room The early reflections and short decay time bring to mind the feel of a small room. Plate Classic warm analog plate reverb used throughout the 50's, 60's and 70's. The original reverberators were large metal plates in wooden housings that had transducers placed at various locations. It has a strong presence and can be used when you really want to have an obvious reverb in your performance or recording. 10 Controls (continued) Chamber Before digital reverbs were available, chambers were built in major recording studios. A speaker and one or more microphones were placed in these oddly shaped rooms which created a very live reverberant sound that could be mixed into studio recordings. [. . . ] Open the battery door underneath the pedal and install a fresh 9V alkaline or lithium battery. When the clip/batt LED comes on you have approximately one hour of remaining battery life. 14 Specifications Digital signal path: A/D, D/A conversion: Signal processing: Power supply: Typical in-use current consumption: Typical 9V alkaline battery life: 9V adapter: 24-bit 32-bit 9V alkaline battery or 9VDC adapter 24. 7mA 20 hours Fishman 910-R (for 110V) or suitable filtered and regulated, 200mA type, tip = negative Input impedance: 1M Ohm Nominal output impedance: 1k Ohm Input gain switch range: -1dB to -8dB Maximum output level (onset of clipping): +5dBV Baseline noise: -91dB Dynamic range: 96dB All specifications subject to change without notice. [. . . ]