User manual DENON AVR-3808CI

[. . . ] Do not let insecticides, benzene, and thinner come in contact with the set. The ventilation should not be impeded by covering the ventilation openings with items, such as newspapers, table-cloths, curtains, etc. No naked flame sources, such as lighted candles, should be placed on the apparatus. No objects filled with liquids, such as vases, shall be placed on the apparatus. [. . . ] In play modes other than the external input mode, the signals connected to EXT. In addition, signals cannot be output from channels not connected to the input jacks. To watch video while listening to sound, select the input source to which the video signal is connected, then set this mode. [4] Combining the currently playing sound with the desired image Simulcast playback Use this switch to monitor a video source other than the audio source. With the name of the volume to be adjusted selected, turn the SELECT knob to adjust the level. If you do not want the bass and treble to be adjusted, turn on the tone defeat mode. The signals do not pass through the bass and treble adjustment circuits, so it provides higher quality sound. NOTE: To prevent hearing loss, do not raise the volume level excessively when using headphones. Also, the unit's operating status can be checked during playback by pressing the remote control unit's ON SCREEN/DISPLAY button. 1 The pre-out output (including the speaker output) is automatically turned off when headphones are connected. Playing one source while recording another (REC OUT mode) Before playing with the surround function With "RECOUT SOURCE" displayed, turn the FUNCTION knob to select the source you wish to record. The Cinema mode is for use with stereo television shows and all programs encoded in Dolby Surround. select one of the modes ("Cinema" , "Music" , "Pro Logic"or "Game"). Panorama Control: This mode extends the front stereo image to include the surround speakers for an exciting "wraparound" effect with side wall imaging. Dimension Control: This control gradually adjust the soundfield either towards the front or towards the rear. Center Width Control: This control adjust the center image so it may be heard only from the center speaker; only from the left/right speakers as a phantom image; or from all three front speakers to varying degrees. Decoding is performed with emphasis on separation performance to achieve the same atmosphere with 2-channel sources as with 6. This mode is effective for playing sources recorded in conventional surround formats as well, because the in-phase component is assigned mainly to the center channel (C) and the reversed phase component to the surround (SL, SR and SB channels). The front channel (FL and FR) signals bypass the decoder and are played directly so there is no loss of sound quality, and the effect of the surround signals output from the center (C) and surround (SL, SR and SB) channels add a natural sense of expansion to the sound field. 3): The center image parameter for adjusting the expansion of the center channel in the DTS NEO:6 MUSIC mode has been added. When performing this operation from the main unit's panel, press the SURROUND MODE button, then turn the SELECT knob and select Dolby Pro Logic IIx or DTS NEO:6. The input signal can be checked by pressing the remote control unit's ON SCREEN/ DISPLAY button. [. . . ] Decoding is performed with emphasis on separation performance to achieve the same atmosphere with 2-channel sources as with 6. This mode is effective for playing sources recorded in conventional surround formats as well, because the in-phase component is assigned mainly to the center channel (C) and the reversed phase component to the surround (SL, SR and SB channels). Changes in the sound quality are reduced by decoding with emphasis on the front channel signals (FL and FR), and a natural sense of expansion is given to the sound field by the effect of the surround signals output from the center (C) and surround (SL, SR and SB) channels. The sampling frequency, number of bits and number of channels used for recording of music, etc. [. . . ]