User manual CASIO LK-93TV

[. . . ] ES USER'S GUIDE GUÍA DEL USUARIO LK93TV-ES-1 GUIDELINES LAID DOWN BY FCC RULES FOR USE OF THE UNIT IN THE U. S. A. (not applicable to other areas). NOTICE This equipment has been tested and found to comply with the limits for a Class B digital device, pursuant to Part 15 of the FCC Rules. These limits are designed to provide reasonable protection against harmful interference in a residential installation. This equipment generates, uses and can radiate radio frequency energy and, if not installed and used in accordance with the instructions, may cause harmful interference to radio communications. [. . . ] When connecting a microphone, be sure to first adjust the MIC VOLUME to a relatively low setting, and then adjust to the level you want after connecting. 1 2 3 Set the MIC VOLUME knob setting so it is on the "MIN" side. Use the MIC VOLUME knob to adjust microphone volume to the level you want. Microphone ON/OFF switch Static Noise Fluorescent lighting can cause static noise in the microphone signal. When this happens, move away from the lighting you suspect may be causing the static. Microphone MIC VOLUME knob IMPORTANT! · Be sure to use the microphone's ON/OFF switch to turn off the microphone and to disconnect the microphone from the keyboard whenever you are not using it. 659A-E-031A E-29 Using a Microphone for Karaoke To use a microphone for Karaoke PREPARATION · Adjust the main volume (page E-17), accompaniment/ song volume (page E-46), and microphone volume (page E-29). 5 Press the <PLAY/STOP> button to start tune play. I When the keyboard is connected to a TV When you select a tune that includes lyric data, the lyrics appear on the TV screen. In this case, the keyboard's screen continues to show the song title, without changing. The only difference is that the melody part in the Karaoke Mode is played back at a lower volume. Also a different tone setting is used in the Karaoke mode to make sing along easier. 1 2 3 Find the tune you want in the SONG BANK/ KARAOKE List, and note its number. · See page A-9 for the SONG BANK/KARAOKE List. Press the KARAOKE button to enter the Karaoke Mode. · This causes the KARAOKE indicator to appear. 6 Select the karaoke source. I Song Bank Press the SONG BANK button. This enters the Karaoke Song Bank Mode, and displays the Song Bank indicator. · Each press of the SONG BANK button toggles the SONG BANK indicator on and off. Use the KEY CONTROL/TRANSPOSE buttons ( / ) to change the overall key of the playback, if you want. : Raises the key by one semitone : Lowers the key by one semitone 7 Press the <PLAY/STOP> button to stop tune play. · The same song plays in an endless loop until you stop it. NOTE · To return a tune to its default key, press both of the KEY CONTROL/TRANSPOSE buttons ( and ) at the same time. Indicator appears 4 Use the number buttons to input the two-digit song number. Example: To select "ALOHA OE", which is song number 54, input 5 and then 4. Displaying Song Lyrics on a TV Screen When you select and start playback of a song that includes lyric data while the keyboard is connected to a TV, a Karaoke screen showing the song lyrics will appear on the TV. You can also specify the type of alphabet that should be used for TV screen display (Russian Cyrillic or Latin). For details, see "Selecting the Alphabet Type for TV Screen Display" on page E-47. · A microphone icon is displayed next to the song numbers on the TV screen SONG BANK/KARAOKE List that include lyric data. · The lyrics that correspond to the accompaniment that is currently playing change color on the screen. · Lyrics that appear on the TV screen may not perfectly match those of the original tune, so they can be matched to the built-in tune. NOTE · The initial power on default tune setting is "00". · You can also specify the song number using the [+] and [­] buttons. NOTE · The display limit is 25 characters per line on the screen of a TV connected to the keyboard. Anything past the 25th character is not displayed. E-30 659A-E-032A Auto Accompaniment NORMAL/FILL-IN VARIATION/FILL-IN RHYTHM Number buttons MODE INTRO START/STOP SYNCHRO/ENDING This keyboard automatically plays bass and chord parts in accordance with the chords you finger. The bass and chord parts are played using sounds and tones that are automatically selected to select the rhythm you are using. All of this means that you get full, realistic accompaniments for the melody notes you play with your right hand, creating the mood of an one-person ensemble. Selecting a Rhythm This keyboard provides you with 120 exciting rhythms that you can select using the following procedure. To select a rhythm 1 Find the rhythm you want to use in the RHYTHM List and note its rhythm number. · Not all of the available rhythms are shown on the rhythm list printed on the keyboard console. For a complete list, see the "Rhythm List" on page A-8. 2 Press the RHYTHM button. Pop 1 Indicator appears 3 Use the number buttons to input the three digit rhythm number for the rhythm you want to select. Example: To select "075 RHUMBA", input 0, 7 and then 5. R h umb a NOTE · You can also increment the displayed rhythm number by pressing [+] and decrement it by pressing [­]. · Some rhythms consist of chord accompaniments only, without any drums or other percussion instruments. Such rhythms do not sound unless CASIO CHORD, FINGERED, or FULL RANGE CHORD is selected as the accompaniment mode. 659A-E-033A E-31 Auto Accompaniment Playing a Rhythm Use the following procedure to start and stop rhythm play. 4 To stop Auto Accompaniment play, press the START/ STOP button again. To play a rhythm NOTE · If you press the SYNCHRO/ENDING button and then the INTRO button in place of the START/STOP button in step 2, accompaniment will start with an intro pattern when you perform the operation in step 3. · If you press the SYNCHRO/ENDING button in place of the START/STOP button in step 4, an ending pattern will play before accompaniment play is ended. · You can adjust the accompaniment part volume level independently of the main volume. [. . . ] They are not cracks or breaks in the plastic, and are no cause for concern. E-60 659A-E-062A 659A-E-063A 659A-E-125A Tone List / Note Table Lista de sonidos / Tabla de notas 4: Program Change/Cambio de programa 5: Bank Select MSB/MSB de selección de banco 1: Tone Name/Nombre de sonido 2: Range Type/Tipo de gama 3: Maximum Polyphony/Polifonía máxima No. / No 3 4 033 CHAPEL ORGAN 034 ACCORDION 035 OCTAVE ACCORDION 036 BANDONEON 037 HARMONICA Guitar A A A A A 32 16 16 16 32 19 21 21 23 22 24 25 25 26 26 27 27 28 29 30 31 32 32 16 32 16 32 16 32 32 32 16 C C C C C C C C C C C 038 039 040 041 042 043 044 045 046 047 048 Bass NYLON STR. GUITAR STEEL STR. GUITAR 12 STR. GUITAR JAZZ GUITAR OCT JAZZ GUITAR CLEAN GUITAR ELEC. GUITAR MUTE GUITAR OVERDRIVE GT DISTORTION GT FEEDBACK GT 5 2 4 1 3 1 2 No. / No 5 8 2 8 2 2 2 2 8 2 8 2 1 2 2 2 8 Appendix/Apéndice Piano 16 32 16 16 16 32 16 16 16 16 16 32 16 16 16 16 32 16 32 0 0 1 0 1 1 0 3 3 2 2 4 4 5 4 5 6 6 7 2 1 2 3 3 1 8 2 8 2 3 2 9 2 8 8 2 8 2 2 2 2 2 049 ACOUSTIC BASS 050 RIDE BASS 051 FINGERED BASS 052 PICKED BASS 053 FRETLESS BASS 054 SLAP BASS 055 SAW SYNTH-BASS 056 SQR SYNTH-BASS Str/Orchestra 057 058 059 060 061 VIOLIN SLOW VIOLIN CELLO PIZZICATO STRINGS HARP C C C C C C C C A A C A A 32 16 32 32 32 32 32 32 32 32 32 32 32 8 9 11 12 32 32 32 32 000 STEREO PIANO 001 GRAND PIANO 002 BRIGHT PIANO 003 MELLOW PIANO 004 MODERN PIANO 005 DANCE PIANO 006 STRINGS PIANO 007 HONKY-TONK 008 OCTAVE PIANO 009 ELEC. GRAND PIANO 010 MODERN E. G. PIANO 011 ELEC. PIANO 012 CHORUSED EP 013 MODERN E. PIANO 014 SOFT E. PIANO 015 E. PIANO PAD 016 HARPSICHORD 017 COUPLED HARPSICHORD 018 CLAVI Chromatic Perc A A A A A A A A A A A A A A A A A A A 019 CELESTA 020 GLOCKENSPIEL 021 VIBRAPHONE 022 MARIMBA Organ 16 16 16 16 16 16 16 16 16 16 16 16 16 17 17 16 16 17 18 19 2 1 3 2 3 8 4 4 2 2 A B A A 32 32 33 34 35 37 38 39 40 40 42 45 46 2 32 2 2 2 2 2 2 2 8 2 2 2 023 024 025 026 027 028 029 030 031 032 DRAWBAR ORGAN 1 DRAWBAR ORGAN 2 DRAWBAR ORGAN 3 PERC. ORGAN 1 PERC. ORGAN 2 ELEC. ORGAN 1 ELEC. ORGAN 2 JAZZ ORGAN ROCK ORGAN CHURCH ORGAN A A A A A A A A A A A-1 A-2 3 4 Pipe 5 2 4 5 No. / No 1 3 No. / No 1 2 Ensemble 32 32 16 32 32 32 32 32 32 16 16 48 49 48 50 51 52 52 53 54 54 55 2 2 3 2 2 2 8 2 2 8 2 2 2 2 2 2 2 3 8 8 2 2 2 1 2 8 1 2 8 9 2 2 2 122 123 124 125 126 127 110 FANTASY 111 WARM PAD 112 WARM VOX 113 POLYSYNTH 114 POLY SAW 115 BOWED PAD 116 HALO PAD 117 ATMOSPHERE 118 BRIGHTNESS 119 ECHO PAD 120 STAR THEME 121 SPACE PAD Ethnic SITAR BANJO SHAMISEN KOTO THUMB PIANO STEEL DRUMS A A A A A A A A A A A A A A A A A A 102 SQUARE LEAD 103 SAWTOOTH LEAD 104 MELLOW SAW LEAD 105 SINE LEAD 106 SS LEAD 107 CALLIOPE 108 VOICE LEAD 109 BASS+LEAD Synth-Pad A A A A A A A A 16 16 16 32 16 16 16 16 16 16 16 16 16 16 16 16 16 16 16 16 16 32 32 32 32 16 80 81 81 80 81 82 85 87 88 89 89 90 90 92 94 99 100 102 103 103 104 105 106 107 108 114 2 2 8 8 3 2 2 2 2 2 8 2 8 2 2 2 2 2 2 8 2 2 2 2 2 2 56 57 58 59 60 61 61 61 62 62 63 64 65 65 65 66 66 66 66 67 68 71 32 32 32 32 16 32 16 16 16 32 16 32 16 32 16 16 32 16 16 32 32 32 095 PICCOLO 096 FLUTE 1 097 FLUTE 2 098 MELLOW FLUTE 099 RECORDER 100 PAN FLUTE 101 WHISTLE Synth-Lead B A A A A A A 32 32 16 16 32 32 32 72 73 73 73 74 75 78 2 2 1 8 2 2 2 Appendix/Apéndice 062 063 064 065 066 067 068 069 070 071 072 Brass STRINGS SLOW STRINGS CHAMBER SYNTH-STRINGS 1 SYNTH-STRINGS 2 CHOIR AAHS CHOIRS VOICE DOO SYNTH-VOICE SYNTH-VOICE PAD ORCHESTRA HIT A A A A A A A A A A A 073 074 075 076 077 078 079 080 081 082 083 Reed TRUMPET TROMBONE TUBA MUTE TRUMPET FRENCH HORN BRASS BRASS SECTION BRASS SFZ ANALOG SYNTH-BRASS SYNTH-BRASS 1 SYNTH-BRASS 2 A C C A C A A A A A A 084 085 086 087 088 089 090 091 092 093 094 SOPRANO SAX ALTO SAX 1 ALTO SAX 2 BREATHY A. SAX TENOR SAX 1 TENOR SAX 2 BREATHY T. SAX T. SAXYS BARITONE SAX OBOE CLARINET A C C C C C C C C A A 659A-E-126A 659A-E-127A No. / No GM Tone 3 4 5 2 4 5 1 3 1 2 No. / No Appendix/Apéndice 128 129 130 131 132 133 134 135 136 137 138 139 140 141 142 143 144 145 146 147 148 149 150 151 152 153 154 155 156 157 158 159 160 161 162 163 164 165 166 167 168 169 170 171 32 32 32 16 32 16 32 32 32 32 16 32 32 32 32 16 16 16 16 16 32 16 32 16 32 32 32 32 32 32 32 32 32 32 32 32 32 32 32 32 32 32 32 32 0 1 2 3 4 5 6 7 8 9 10 11 12 13 14 15 16 17 18 19 20 21 22 23 24 25 26 27 28 29 30 31 32 33 34 35 36 37 38 39 40 41 42 43 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 GM PIANO 1 GM PIANO 2 GM PIANO 3 GM HONKY-TONK GM E. PIANO 1 GM E. PIANO 2 GM HARPSICHORD GM CLAVI GM CELESTA GM GLOCKENSPIEL GM MUSIC BOX GM VIBRAPHONE GM MARIMBA GM XYLOPHONE GM TUBULAR BELL GM DULCIMER GM ORGAN 1 GM ORGAN 2 GM ORGAN 3 GM PIPE ORGAN GM REED ORGAN GM ACCORDION GM HARMONICA GM BANDONEON GM NYLON STR. GUITAR GM STEEL STR. GUITAR GM JAZZ GUITAR GM CLEAN GUITAR GM MUTE GUITAR GM OVERDRIVE GT GM DISTORTION GT GM GT HARMONICS GM ACOUSTIC BASS GM FINGERED BASS GM PICKED BASS GM FRETLESS BASS GM SLAP BASS 1 GM SLAP BASS 2 GM SYNTH-BASS 1 GM SYNTH-BASS 2 GM VIOLIN GM VIOLA GM CELLO GM CONTRABASS A A A A A A A A A A A A A A A A A A A A A A A A A A A A A A A A A A A A A A A A A A A A 172 173 174 175 176 177 178 179 180 181 182 183 184 185 186 187 188 189 190 191 192 193 194 195 196 197 198 199 200 201 202 203 204 205 206 207 208 209 210 211 212 213 214 215 216 GM TREMOLO STRINGS GM PIZZICATO GM HARP GM TIMPANI GM STRINGS 1 GM STRINGS 2 GM SYNTH-STRINGS 1 GM SYNTH-STRINGS 2 GM CHOIR AAHS GM VOICE DOO GM SYNTH-VOICE GM ORCHESTRA HIT GM TRUMPET GM TROMBONE GM TUBA GM MUTE TRUMPET GM FRENCH HORN GM BRASS GM SYNTH-BRASS 1 GM SYNTH-BRASS 2 GM SOPRANO SAX GM ALTO SAX GM TENOR SAX GM BARITONE SAX GM OBOE GM ENGLISH HORN GM BASSOON GM CLARINET GM PICCOLO GM FLUTE GM RECORDER GM PAN FLUTE GM BOTTLE BLOW GM SHAKUHACHI GM WHISTLE GM OCARINA GM SQUARE LEAD GM SAWTOOTH LEAD GM CALLIOPE GM CHIFF LEAD GM CHARANG GM VOICE LEAD GM FIFTH LEAD GM BASS+LEAD GM FANTASY A A A A A A A A A A A A A A A A A A A A A A A A A A A A A A A A A A A A A A A A A A A A A 32 32 32 32 32 32 32 32 32 32 32 16 32 32 32 32 16 32 32 16 32 32 32 32 32 32 32 32 32 32 32 32 16 16 32 32 16 16 16 16 16 16 16 16 16 44 45 46 47 48 49 50 51 52 53 54 55 56 57 58 59 60 61 62 63 64 65 66 67 68 69 70 71 72 73 74 75 76 77 78 79 80 81 82 83 84 85 86 87 88 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 A-3 A-4 3 4 5 2 4 5 No. / No Drums 1 3 No. / No 1 2 Appendix/Apéndice 256 257 258 259 260 261 262 263 STANDARD SET ROOM SET POWER SET ELECTRONIC SET SYNTH SET JAZZ SET BRUSH SET ORCHESTRA SET D D D D D D D D 32 32 32 32 32 32 32 32 0 8 16 24 25 32 40 48 120 120 120 120 120 120 120 120 NOTE · The meaning of each range type is described below. NOTA · El significado de cada tipo de gama se describe debajo. 217 218 219 220 221 222 223 224 225 226 227 228 229 230 231 232 233 234 235 236 237 238 239 240 241 242 243 244 245 246 247 248 249 250 251 252 253 254 255 16 16 16 16 16 16 16 16 16 16 16 16 16 16 16 16 32 32 32 32 16 32 32 32 32 16 32 32 32 32 32 32 32 16 16 32 32 16 32 89 90 91 92 93 94 95 96 97 98 99 100 101 102 103 104 105 106 107 108 109 110 111 112 113 114 115 116 117 118 119 120 121 122 123 124 125 126 127 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 GM WARM PAD GM POLYSYNTH GM SPACE CHOIR GM BOWED GLASS GM METAL PAD GM HALO PAD GM SWEEP PAD GM RAIN DROP GM SOUND TRACK GM CRYSTAL GM ATMOSPHERE GM BRIGHTNESS GM GOBLINS GM ECHOES GM SF GM SITAR GM BANJO GM SHAMISEN GM KOTO GM THUMB PIANO GM BAGPIPE GM FIDDLE GM SHANAI GM TINKLE BELL GM AGOGO GM STEEL DRUMS GM WOOD BLOCK GM TAIKO GM MELODIC TOM GM SYNTH-DRUM GM REVERSE CYMBAL GM GT FRET NOISE GM BREATH NOISE GM SEASHORE GM BIRD GM TELEPHONE GM HELICOPTER GM APPLAUSE GM GUNSHOT A A A A A A A A A A A A A A A A A A A A A A A A A A D D D D D A A D D D D D D 659A-E-128A Appendix/Apéndice A=440Hz Range Type/ Tipo de gama C-1 C0 C1 C2 C3 C4 C5 C6 C7 G7 C8 C9 G9 A (Standard type) (Tipo estándar) B "020 GLOCKENSPIEL"/ "095 PICCOLO" "020 GLOCKENSPIEL"/ "095 PICCOLO" C Low pitch instruments Instrumentos de altura tonal baja D (Sound Effect) (Efecto de sonido) No scale for tones. Sin escala para los sonidos. a . . . . . . . . Keyboard range . . . . . . . . Gama del teclado . . . . . . . . Available range (using transpose or a message receive) . . . . . . . . Gama disponible (usando la transposición o recepción de mensaje) b 659A-E-129A A-5 E1 28 F1 29 F#1 30 G1 31 ·" " Indicates the same sound as STANDARD SET. A 1 32 A1 33 B1 35 B 1 34 NOTA D2 38 Appendix/Apéndice E2 40 E 2 39 ·" " Indica el mismo sonido que STANDARD SET. F2 41 F#2 42 G2 43 A 2 44 A2 45 B2 47 B 2 46 C3 48 C#3 49 D3 50 E3 52 E 3 51 F3 53 F#3 54 G3 55 A 3 56 A3 57 B3 59 B 3 58 C4 60 C#4 61 D4 62 E4 64 E 4 63 F4 65 F#4 66 G4 67 A 4 68 A4 69 B4 71 B 4 70 C5 72 C#5 73 D5 74 E5 76 E 5 75 F5 77 F#5 78 G5 79 A 5 80 A5 81 B5 83 B 5 82 C6 84 C#6 85 D6 86 E6 88 E 6 87 F6 89 F#6 90 G6 91 A 6 92 A6 93 B6 95 B 6 94 659A-E-130A C7 96 High Q Slap Scratch Push Scratch Pull Sticks Square Click Metronome Click Metronome Bell Standard Kick 2 Standard Kick 1 Side Stick Standard Snare 1 Hand Clap 1 Standard Snare 2 Low Tom 2 Closed Hi-Hat Low Tom 1 Pedal Hi-Hat Mid Tom 2 Open Hi-Hat Mid Tom 1 High Tom 2 Crash Cymbal 1 High Tom 1 Ride Cymbal 1 Chinese Cymbal Ride Bell Tambourine 1 Splash Cymbal Cowbell Crash Cymbal 2 Vibraslap Ride Cymbal 2 High Bongo Low Bongo Mute High Conga Open High Conga Open Low Conga High Timbale Low Timbale High Agogo Low Agogo Cabasa Maracas Short High Whistle Long Low Whistle Short Guiro Long Guiro Claves High Wood Block Low Wood Block Mute Cuica Open Cuica Mute Triangle Open Triangle Shaker Jingle Bell Bell Tree Castanets Mute Surdo Open Surdo Applause 1 Applause 2 Fanfare One Two Three Four Five Closed Hi-Hat Pedal Hi-Hat Open Hi-Hat Ride Cymbal 1 , , , , Jazz Kick 1 Concert BD 1 , Concert SD Castanets Concert SD Timpani F Timpani F Timpani G Timpani G Timpani A Timpani A Timpani B Timpani c Timpani c Timpani d Timpani d Timpani e Timpani f , , , Concert Cymbal 2 , Concert Cymbal 1 , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , Room Kick 2 Room Kick 1 , Room Snare 1 , Room Snare 2 Room Low Tom 2 , Room Low Tom 1 , Room Mid Tom 2 , Room Mid Tom 1 Room High Tom 2 , Room High Tom 1 , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , Elec. High Tom 1 , Reverse Cymbal , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , Synth Kick 2 Synth Kick 1 Synth Rim Shot Synth Snare 1 Hand Clap 2 Synth Snare 2 Synth Low Tom 2 Synth Closed HH 1 Synth Low Tom 1 Synth Closed HH 2 Synth Mid Tom 2 Synth Open HH Synth Mid Tom 1 Synth High Tom 2 Synth Crash Cymbal Synth High Tom 1 Synth Ride Cymbal , , Synth Tambourine , Synth Cowbell , , , Synth High Bongo Synth Low Bongo Synth Mute Hi Conga Synth Open Hi Conga Synth Open Low Conga , , , , , Synth Maracas , , , , Synth Claves , , , , , , , , , , , , , , , , , , , , , , , , , , , , , Jazz Kick 2 Jazz Kick 1 , Jazz Snare 1 , Jazz Snare 2 , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , Power Kick 2 Power Kick 1 , Power Snare 1 , Power Snare 2 Power Low Tom 2 , Power Low Tom 1 , Power Mid Tom 2 , Power Mid Tom 1 Power High Tom 2 , Power High Tom 1 , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , Jazz Kick 2 Jazz Kick 1 , Brush Snare 1 Brush Slap Brush Snare 2 , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , C2 36 C#2 37 A-6 Drumset 4 ELEC. SET Drumset 7 BRUSH SET Drumset 8 ORCHESTRA SET Drumset 5 SYNTH SET Drumset 6 JAZZ SET Drum Assignment List / Lista de asignación de batería NOTE Key/Note number Drumset 1 STANDARD SET Drumset 2 ROOM SET Drumset 3 POWER SET E 1 27 659A-E-131A FINGERED Chord Chart Cuadro de acordes digitados dim7 M7 m7 5 dim Root Chord Type Chord Type Root M aug sus4 7 sus4 m add9 m M7 75 add9 [4, 3, 2, 1] [5, 3, 2, 1] [5, 3, 2, 1] [4, 3, 2, 1] [5, 3, 2, 1] [5, 2, 1] [5, 3, 1] [5, 3, 2, 1] [5, 3, 2, 1] [5, 3, 2] m C [5, 3, 2, 1] [5, 3, 2, 1] [5, 3, 2] [5, 3, 1] [5, 2, 1] [5, 3, 2, 1] [4, 3, 2, 1] [5, 3, 2, 1] [5, 3, 2, 1] 7 m7 [5, 3, 1] [5, 3, 1] [5, 3, 2, 1] [5, 3, 2, 1] [5, 3, 2, 1] C C (D ) [5, 3, 1] [5, 2, 1] [5, 3, 2, 1] [4, 3, 2, 1] [5, 3, 2, 1] [5, 3, 2, 1] [4, 3, 2, 1] C (D ) [5, 3, 2, 1] [5, 3, 2, 1] [5, 3, 2] [5, 3, 1] [5, 3, 1] [5, 3, 2, 1] [5, 3, 2, 1] [5, 3, 2, 1] [5, 3, 1] [5, 3, 1] [5, 3, 2, 1] [5, 3, 2, 1] [5, 3, 2, 1] [4, 3, 2, 1] D D [5, 3, 2, 1] [5, 3, 2, 1] [5, 3, 2] E (D ) E (D ) [5, 3, 1] [5, 2, 1] [5, 3, 2, 1] [4, 3, 2, 1] [5, 3, 2, 1] [5, 3, 2, 1] [5, 3, 2, 1] [5, 3, 2] [5, 3, 1] [5, 3, 1] [5, 2, 1] [5, 3, 2, 1] [4, 3, 2, 1] [5, 3, 2, 1] [5, 3, 1] [5, 3, 2, 1] [5, 3, 2, 1] [5, 3, 2, 1] [5, 3, 2, 1] [4, 3, 2, 1] [5, 3, 1] [5, 3, 1] [5, 3, 2, 1] [5, 3, 2, 1] [5, 3, 2, 1] [5, 3, 2, 1] [4, 3, 2, 1] E E [5, 3, 2, 1] [5, 3, 2, 1] [5, 3, 2] [5, 3, 1] [5, 2, 1] [5, 3, 2, 1] [4, 3, 2, 1] [5, 3, 2, 1] [5, 3, 1] [5, 3, 1] [5, 3, 2, 1] [5, 3, 2, 1] [5, 3, 2, 1] [5, 3, 2, 1] [4, 3, 2, 1] F F [5, 3, 2, 1] [5, 3, 2, 1] [5, 3, 2] F (G ) F (G ) [5, 3, 1] [5, 2, 1] [5, 3, 2, 1] [4, 3, 2, 1] [5, 4, 2, 1] [5, 3, 2, 1] [5, 3, 2] [5, 3, 1] [5, 3, 1] [5, 2, 1] [5, 3, 2, 1] [4, 3, 2, 1] [5, 3, 1] [5, 3, 2, 1] [5, 3, 2, 1] [5, 3, 2, 1] [5, 3, 2, 1] [5, 3, 2, 1] [4, 3, 2, 1] [5, 3, 1] [5, 3, 1] [5, 3, 2, 1] [5, 3, 2, 1] [5, 3, 2, 1] [5, 4, 2, 1] [5, 3, 2, 1] [4, 3, 2, 1] G G [5, 4, 2, 1] [5, 4, 2, 1] [5, 3, 2] A (G ) A (G ) [5, 3, 1] [5, 2, 1] [5, 4, 2, 1] [5, 4, 2, 1] [5, 4, 2, 1] [5, 3, 2] [5, 3, 1] [5, 3, 1] [5, 2, 1] [5, 4, 2, 1] [5, 3, 1] [5, 4, 2, 1] [5, 4, 2, 1] [5, 3, 2, 1] [4, 3, 2, 1] [5, 4, 2, 1] [5, 4, 2, 1] [4, 3, 2, 1] [5, 3, 1] [5, 3, 1] [5, 4, 2, 1] [5, 4, 2, 1] [4, 3, 2, 1] [5, 4, 2, 1] [5, 4, 2, 1] [4, 3, 2, 1] A * [5, 4, 2, 1] [5, 4, 2, 1] [5, 3, 2] [5, 2, 1] A [5, 4, 2, 1] [4, 3, 2, 1] [5, 4, 2, 1] [5, 4, 2, 1] [4, 3, 2, 1] [5, 3, 1] [5, 3, 1] [5, 4, 2, 1] [5, 4, 2, 1] B (A ) * * [5, 3, 2, 1] [5, 4, 2, 1] [5, 3, 2] B (A ) [5, 2, 1] [5, 2, 1] [5, 2, 1] [5, 3, 2, 1] [5, 3, 2, 1] [5, 3, 2, 1] [5, 3, 2, 1] [5, 3, 2, 1] [4, 3, 2, 1] [5, 3, 2, 1] B B * * NOTE · These chords can be fingered if you expand the accompaniment area of the keyboard by changing the split point. [. . . ]