User manual CASIO CTK-731

[. . . ] Contact your physician immediately. 2. Leaving alkaline battery fluid in your eyes can lead to loss of sight. DANGER This symbol indicates information that, if ignored or applied incorrectly, creates the danger of death or serious personal injury. WARNING This indication stipulates matters that have the risk of causing death or serious injury if the product is operated incorrectly while ignoring this indication. CAUTION This indication stipulates matters that have the risk of causing injury as well as matters for which there is the likelihood of occurrence of physical damage only if the product is operated incorrectly while ignoring this indication. Smoke, Strange Odor, Overheating Continued use of the product while it is emitting smoke, a strange odor, or heat creates the risk of fire and electric shock. If you are using the AC adaptor for power, unplug it from the wall outlet. [. . . ] Pressing the SYNTH button again (before selecting another tone) returns to the Synthesizer Mode with all of your parameter settings still in place. Storing a User Tone In Memory The following procedure shows how to store a user tone in memory. Once a tone is stored, you can call it up just as you do with a preset tone. Inputting Characters The following are the types of characters you can input when saving data to the user area. To name a user tone and store it in memory 1. 3. Select a preset tone to use as the basis for the user tone, press the SYNTH button to enter the Synthesizer Mode, and make the parameter settings you want. After making parameter settings to create the user tone, press the [ ] CURSOR button twice. Use [+] and [­] to change the user area tone number on the display until the one where you want to store the tone is shown. You can select any tone number from 600 to 699. 4. After the tone name is the way you want, press the [ ] CURSOR button to store the tone. Use the [+] and [­] buttons to scroll through letters at the current cursor location. See "Inputting Characters" for information about inputting text. 705A-E-051A E-49 Registration Memory Registration Memory 1 4 MODE STORE 2 5 BANK Number buttons 3 REGISTRATION Registration Memory Features Registration memory lets you store up to 32 keyboard setups (4 sets x 8 banks) for instant recall whenever you need them. The following is a list of settings that are saved in registration memory. Each bank of registration memory initially contains data when you first use the keyboard. Registration memory functions are disabled while you are using the SMF Player, Song Memory or demo tune function. Registration Memory Settings Tone Rhythm Tempo Layer on/off Split on/off Split point Auto Harmonize on/off Mixer settings (Channels 1 to 10) Effect settings Touch Response settings Assignable jack setting Transpose Tuning Accompaniment volume setting Auto Harmonize type MODE button setting Synchro standby state Mixer Hold DSP Hold Synthesizer Mode parameters (Vibrato Waveform, Vibrato Delay, Vibrato Rate, and Vibrato Depth only) E-50 705A-E-052C Registration Memory Setup Names You can assign setups into one of 32 areas, which you can select using BANK buttons 1 through 4 and the four REGISTRATION buttons. Area names range from 1-1 through 8-4 as shown below. To Save a Setup in Registration Memory 1. Select a tone and rhythm, and otherwise set up the keyboard the way you want it. See "Registration Memory Settings" on page E-50 for details on what data is stored in the registration memory. 2. Use the BANK button or the number buttons to select the bank you want. If you do not perform any operation for about five seconds after pressing the BANK button, the display returns to the contents in step 1, above. Each press of BANK cycles through the bank numbers from 1 to 8. While holding down the STORE button, press a REGISTRATION button (1 to 4). The following display appears when you press the 2 button. 2 Pressing one of the REGISTRATION buttons (1 to 4) selects the corresponding area in the currently selected bank. 4. Whenever you save a setup and assign it a setup name, any setup data previously assigned to that name is replaced with the new data. You can use the keyboard's MIDI capabilities to save your setup data to a computer or other external storage device. All of these variations are based upon the procedure described under "To record with real-time recording" on page E-54. To start recording with synchro start In place of step 4, press the SYNCHRO/FILL-IN NEXT button. Auto-accompaniment and recording will both start when you play a chord on the accompaniment keyboard. To record using an intro, ending, or fill-in During recording, the INTRO/ENDING 1/2, SYNCHRO/ FILL-IN NEXT, and VARIATION/FILL-IN 1/2 buttons (pages E-35 to E-36) can all be used as they normally are. 705A-E-057A E-55 Song Memory Function To synchro start Auto Accompaniment with an intro pattern In place of step 4, press the SYNCHRO/FILL-IN NEXT button and then INTRO/ENDING 1 or INTRO/ENDING 2 button. Auto-accompaniment will start with the intro pattern when you play a chord on the accompaniment keyboard. To start Auto Accompaniment part way into a recording In place of step 4, press the SYNCHRO/FILL-IN NEXT button and then play something on the melody keyboard to start recording without Auto Accompaniment. When you reach the point where you want accompaniment to start, play a chord on the accompaniment keyboard to start Auto Accompaniment. You can play along on the keyboard using layer (page E-66) and split (page E-67) during playback. Pressing the START/STOP button to start playback from song memory always starts from the beginning of the song. The entire keyboard functions as a melody keyboard, regardless of the accompaniment mode setting. To turn off a specific track Press the SONG MEMORY TRACK button of the track you want to turn off, or use the Mixer (Page E-39) to turn off the channel of the track. Playing Back from Song Memory Once you record tracks to song memory, you can play them back to see what they sound like. Recording Melody and Chords with Step Recording With step recording, you can record Auto-Accompaniment chords and notes, and even specify note lengths one by one. Even those who find it difficult to play along on the keyboard with an Auto-Accompaniment can create AutoAccompaniments based on their own original chord progressions. The following shows the type of data that can be recorded in Tracks 1 through 6. Track 1 : Chords and Auto-Accompaniment To play back from song memory 1. Use the SONG MEMORY button to enter playback standby, and then use the number buttons to select a song number (0 to 4). Tracks 2 through 6 : Keyboard play With step recording, first record the chords and AutoAccompaniment in Track 1. Next, record the melody in Tracks 2 through 6. 1 2 Song number Playback standby The above song number screen remains on the display for about five seconds. If it disappears before you have a chance to select a song number, use the [ ] CURSOR button to re-display it. Use the procedure under "To record to Tracks 2 through 6 using real-time recording" on page E-59 for details on how to record to Tracks 2 through 6. 2. Press the START/STOP button to playback the song you selected. You can use the TEMPO buttons to adjust the playback tempo. [. . . ] SQR BASS 1 39 50 32 -1 Enha Cho 705A-E-212A No. / Nº 49 50 51 52 53 54 55 56 57 58 59 60 61 62 63 64 65 66 67 68 69 70 71 72 73 74 75 76 77 78 79 80 81 82 83 84 85 86 87 88 89 90 91 92 93 94 95 96 97 98 99 100 101 102 103 104 105 A-2 Appendix/Apéndice Tone Group/ Grupo de Sonido BASS BASS BASS BASS BASS BASS BASS BASS BASS BASS BASS BASS BASS BASS BASS ORCHESTRA ORCHESTRA ORCHESTRA ORCHESTRA ORCHESTRA ORCHESTRA ORCHESTRA ORCHESTRA ORCHESTRA ENSEMBLE ENSEMBLE ENSEMBLE ENSEMBLE ENSEMBLE ENSEMBLE ENSEMBLE ENSEMBLE ENSEMBLE ENSEMBLE ENSEMBLE ENSEMBLE ENSEMBLE ENSEMBLE ENSEMBLE ENSEMBLE ENSEMBLE ENSEMBLE ENSEMBLE ENSEMBLE ENSEMBLE ENSEMBLE ENSEMBLE ENSEMBLE ENSEMBLE ENSEMBLE ENSEMBLE ENSEMBLE ENSEMBLE ENSEMBLE ENSEMBLE ENSEMBLE ENSEMBLE Program Bank Select MSB/ Maximum Range Type/ DSP Type/ Tone Name/Nombre de sonido Change/Cambio MSB de selección Polyphony/ Tipo de Tipo DSP de programa de banco Polifonía máxima gama RESO. SAW BASS 1 38 53 32 -1 AWhChDly DISTORTION SQR BASS 39 51 16 -1 DistDly1 RESO. SAW BASS 2 38 49 16 -1 PhaDly 2 DIGITAL BASS 1 39 52 32 -1 Comp 2 RIDE BASS 32 49 16 -1 RvbRoom1 CHORUS FINGERED BASS 33 49 16 -1 Crn Cho COMP. FRETLESS BASS 35 49 16 -1 Cho Flan MORE SLAP BASS 37 49 16 -1 Comp 2 ACID BASS 38 50 32 -1 Enhancer SAW SYNTH-BASS 2 38 54 32 -1 Equalize TRI SYNTH-BASS 1 39 53 32 -1 Equalize SINE BASS 39 54 32 -1 Limiter ORGAN BASS 1 38 55 32 -1 Comp 1 DIGITAL BASS 2 39 55 16 -1 Chorus 2 VIOLIN 40 48 32 N GateRvb2 CELLO 42 48 32 -1 GateRvb2 VIOLA 41 48 32 N GateRvb2 PIZZICATO ENSEMBLE 45 49 16 N RvbHall1 HARP 46 48 32 N Reflect SLOW VIOLIN 40 49 32 N RvbHall2 SLOW CELLO 42 49 32 -1 RvbHall2 PIZZICATO 45 48 32 N Reflect HARPS 46 49 16 N Reflect STEREO STRINGS 48 51 16 N RvbHall1 STRING ENSEMBLE 48 48 32 N RvbRoom3 SLOW STRINGS 49 48 32 N ChoDly 3 CHAMBER 49 49 16 N Reflect PURE SYNTH-STRINGS 1 50 50 16 N ChoDly 3 SYNTH-STRINGS 1 50 48 32 N ChoDly 3 STEREO CHOIR 52 50 16 N RvbHall1 VOICE UUH 53 49 16 N RvbRoom1 SYNTH-VOICE 1 54 48 32 N Chorus 4 SYNTH-VOICE 2 54 49 32 N ChoDly 3 POP HIT 1 55 52 16 N Equalize POP HIT 2 55 53 16 N FlanDly1 RESO SYNTH-STRINGS 51 48 32 N ChoDly 3 SYNTH-CHOIR 52 51 16 N StXDelay VOICE DOO 53 48 32 N RvbRoom1 BRIGHT STRINGS 48 49 32 N RvbHall1 WIDE STRINGS 48 52 16 N RvbHall1 MELLOW STRINGS 49 50 32 N RvbHall1 ORCHESTRA STRINGS 1 49 51 16 N RvbRoom3 PURE SYNTH-STRINGS 2 50 51 16 N DistDly1 PHASER SYNTH-STRINGS 51 49 16 N PhaAPan2 SYNTH-DOO 53 50 16 N DistDly1 SYNTH-VOICE 3 54 52 16 N DistDly1 VOICE PAD 54 53 16 N FlanDly3 CHOIR STRINGS 48 53 16 N RvbHall1 ORCHESTRA STRINGS 2 49 52 16 N RvbHall1 BLOW VOICE 54 51 16 N DistDly1 NOISY SYNTH-VOICE 54 54 16 N FlanDly2 BASS HIT 55 49 16 N DistDly1 PIANO HIT 55 54 16 N GateRvb2 ORGAN HIT 55 55 16 N Rotary 2 ORCHESTRA HIT 1 55 48 16 N RvbHall1 TECHNO HIT 55 56 16 N MetalDly No. / Nº 106 107 108 109 110 111 112 113 114 115 116 117 118 119 120 121 122 123 124 125 126 127 128 129 130 131 132 133 134 135 136 137 138 139 140 141 142 143 144 145 146 147 148 149 150 151 152 153 154 155 156 157 158 159 160 161 162 705A-E-213A A-3 Appendix/Apéndice Tone Group/ Grupo de Sonido BRASS BRASS BRASS BRASS BRASS BRASS BRASS BRASS BRASS BRASS BRASS BRASS BRASS BRASS BRASS BRASS BRASS BRASS BRASS BRASS BRASS BRASS BRASS BRASS BRASS BRASS BRASS BRASS BRASS REED REED REED REED REED REED REED REED REED REED REED REED REED REED REED REED REED PIPE PIPE PIPE PIPE PIPE PIPE PIPE PIPE PIPE PIPE PIPE Program Bank Select MSB/ Maximum Range Type/ DSP Type/ Tone Name/Nombre de sonido Change/Cambio MSB de selección Polyphony/ Tipo de Tipo DSP de programa de banco Polifonía máxima gama VELO. 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