User manual CASIO AP-60R

[. . . ] This product, either alone or in combination with an amplifier and headphones or speakers, may be capable of producing sound levels that could cause permanent hearing loss. Do not operate for a long period of time at a high volume level or at a level that is uncomfortable. If you experience any hearing loss or ringing in the ears, you should consult an audiologist. The product should be located so that its location or position does not interfere with its proper ventilation. [. . . ] Each press of a key changes the tuning by about 0. 8 cents (1/128 semitone). · A note does not sound when you press a keyboard key while holding down CONTROL. NOTE Holding down the CONTROL button and pressing keyboard keys E4 (­) and F4 (+) at the same time returns tuning to the standard A4 = 440. 0Hz. * 100 cents is equivalent to one semitone. E-20 427B-E-024A AP31/33_E_16_20. p65 Page 20 03. 10. 7, 11:00 AM Adobe PageMaker 6. 5J/PPC MIDI What is MIDI? The letters MIDI stand for Musical Instrument Digital Interface, which is the name of a worldwide standard for digital signals and connectors that makes it possible to exchange musical data between musical instruments and computers (machines) produced by different manufacturers. MIDI compatible equipment can exchange keyboard key press, key release, tone change, and other data as messages. Though you do not need any special knowledge about MIDI to use your CELVIANO as a stand-alone unit, MIDI operations require a bit of specialized knowledge. This section provides you with an overview of MIDI that will help to get you going. Some MIDI sequencers feature external storage capabilities, which let you record a virtually unlimited number of tunes. MIDI Connections Two MIDI cables, one for sending and one for receiving, are required for two-way recording and playback capabilities with a connected MIDI sequencer or other device. What you can do with MIDI Send MIDI cable: MK-5 MIDI OUT IN MIDI Channels MIDI allows you to send the data for multiple parts at the same time, with each part being sent over a separate MIDI channel. There are 16 MIDI channels, numbered 1 through 16, and MIDI channel data is always included whenever you exchange data (key press, pedal operation, etc. ). Both the sending machine and the receiving machine must be set to the same channel for the receiving unit to correctly receive and play data. If the receiving machine is set to Channel 2, for example, it receives only MIDI Channel 2 data, and all other channels are ignored. Your CELVIANO is equipped with multi-timbre capabilities, which means it can receive messages over all 16 MIDI channels and play up to 16 parts at the same time. Keyboard and pedal operations performed on your CELVIANO are sent out by selecting a MIDI channel (1 to 16) and then sending the appropriate message. Sender OUT IN Receiver GRAND PIANO 2 PIANO 1 PIANO 2 ELEC PIANO 2 HARPSICHORD ELEC PIANO 1 VIBRAPHONE OFF ROOM REVERB STAGE HALL 1 HALL 2 CHORUS OFF ON METRONOME BEAT METRONOME VOL TEMPO 0 2 3 4 5 6 1 2 3 120 0 1 2 3 4 5 6 7 8 9 POEWR ON / OFF DEMO CONTROL RECORD START/STOP METRONOME GRAND PIANO VOLUME MIN MAX MIDI musical instrument MIDI sound module MIDI sequencer Other MIDI device · What you play on the CELVIANO can be sent to the connected device as MIDI messages*1. Tone switching is performed only when a program number that corresponds to any of the CELVIANO's non-bass tones is received. No tone switching is performed when any other program number is received. The table on page E-23 shows the program number assignments for Type 1 and Type 2. When Local Control is on (the normal setting), anything played on the keyboard is sounded by the internal sound source and simultaneously output from the MIDI OUT terminal. When off, anything played on the keyboard is output from the MIDI OUT terminal only, without being sounded by the sound source. Local Control can be turned off when you are using the CELVIANO as the sound source of a connected sequencer or other device, and you want to guard against sound being produced should the CELVIANO keyboard be pressed accidentally. To turn Local Control on and off While still holding down the CONTROL button, switch Local Control on and off by pressing one of the keyboard keys illustrated below. F 5 (black key): OFF C4 G5: ON · A note does not sound when you press a keyboard key while holding down CONTROL. NOTE · Note that no sound will be produced from the CELVIANO's speakers if you press the keyboard while Local Control is turned off. · Local Control is turned on automatically whenever you turn on CELVIANO power or play a demo tune. E-24 427B-E-028A AP31/33_E_21_25. p65 Page 24 03. 10. 7, 11:00 AM Adobe PageMaker 6. 5J/PPC MIDI Data Notes This section provides details about the MIDI data your CELVIANO sends and receives. You can also find further technical information in the "MIDI Data Format" and "MIDI Implementation Chart"* at the end of this User's Guide. * The MIDI Implementation Chart is a standard format summary of how data is transferred between your CELVIANO and a connected MIDI device. Keyboard Data (Note On, Note Off, Note Number, Velocity) The following four types of keyboard data can be sent and received. Data Note On Note Off Note Number Velocity Meaning Keyboard key is pressed. Pressure applied Tone Change Data (Program Change) Whenever you change the tone on the CELVIANO, tone change data (Program Change) is also sent out as MIDI data. [. . . ] Reconocimiento El LSB de ingreso de datos es siempre ignorado. n . . . . . . . Reconocimiento · El valor 11H mmH es 00H 00H en la altura tonal más baja, 00H 40H en la altura tonal media y 7FH 7FH en la altura tonal más alta. · Para formar un valor de 14 bit para hacer que el mensaje de cambio de altura tonal sea reconocido por el instrumento, tiene que ajustar LSB y MSB juntos. Afinación fina maestra RPN MSB = 00H RPN LSB = 01H MSB de ingreso de datos = mmH LSB de ingreso de datos = 11H mm ll . . . Afinación fina maestra = 00 00H a 40H 00H a 7FH 7FH (-100 a 0 a +99, 99 centésimas). Mensaje de modo de canal Todos los sonidos desactivados # Formato 1er. [. . . ]